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Technical Aspects Added: 9/9/2006 11:49:00 AM
Nude Photography – Chapter 2 Views: 17500
Candlelight, the Sensual Touch
 

Candlelights have their own special magic.
The term “candlelight romantics” has been well known for generations. The special shades of the candlelights color the scene with something dim, warm, sweet and sensual.
What is so special in the light of the candle?
Except for the natural dimness, which connects us to the age when man was not immersed in bright neon lights, the warm color spread by candles spreads its own aroma all around.
Our eye has difficulty to separate details in the red area of the spectrum. As the light wavelength is longer, small differences in the wavelengths that compose the red light become blurry to our eyes.
Our camera does the same – its separation capabilities in a red-orange light are lower than in the green region. These colors also sometimes flood in colorful “snow” to the picture, especially in high-iso pictures.
The mystery that is derived from the eye’s incapability to separate in dim light, especially in the red-orange range, creates a special romantic, sensual and desirous atmosphere.
How can we use all of this for photography? Can we really use it?
The tool – the candlelight – is easily available. What we need is a shooting location (a studio is preferable but it can be easily done at home), a camera and a tripod.
I let the camera set the white balance (WB) so I set it to automatic WB. Any change in the WB might spoil the effect.
Exposures to candle light only are long (sometimes even a few seconds), and they cannot be done manually, even if we stretch the camera’s iso to a four-digit value.
Since the exposures are long – a camera releasing cable is recommended as well as a tripod and a patient model! Any movement of the model when the picture is taken may “smear” the result.
In addition, a speedy lens is highly recommended – a lens with a large maximal aperture (2-2.8) that will provide a shallow depth of field, which is needed for obtaining a mysterious effect on the one hand, and on the other hand a clear eyepiece for precise focusing.
This is not an easy job and it requires many hours of practice. I also recommend manual focusing – because of the shallow depth of field required – so one can focus on what one wants and not on what the camera wants.
My favorite lenses for candle light shooting are the 85/1.4 (by Nikon), the 35-70/2.8 that can shoot from very close range, the 17-55 lens and the 135/2 – the DC (Defocus Control) lens which lets you control the blurry area. I’ve also had great success with the Tamron 28‑75/2.8 lens.
The optimal range is between 40-80mm.
Candlelight shooting requires certain closeness to the object, especially when shooting body parts – so lenses that can focus from close range are preferable.


So, we have our model, and the candle or several candles are present, but where should we shoot?
My favorite location is the floor. I just place a carpet or anything like it on the floor (white is not advisable) and prepare for shooting. One should always take notice of the background and not let it enter the frame and divert attention away from the subject that we want to get across.
The tripod is set to its minimal height, and I’m sitting, crossed legged, on the floor.

What are we to shoot? One can take full body or almost full body pictures, include the candle in the picture or exclude it. If the candle is included in the picture, manual exposure is usually required – because its brightness may cause a flare in the frame (which happens quite often) and in addition, it may cause a “burning” point, which the eye may follow even unwillingly. Here too, it is essential to practice quite a lot.

What message do we want to convey?
We will convey the mystery, the enigma, the sensuality of the situation and any other thing that our imagination and our eye want to pass on. Sensual photography and walking on the brink of harsh eroticism is extremely complicated and, as mentioned a few times before, requires lots of practice.
The following are a few examples.
In the first example, the model holds the candle (beware of hot wax – it’s painful!). The candlelight glows from below, giving the picture a mysterious and sensual atmosphere:
Color Space: 65535

The second example includes three candles and seashells, and the model is seen in the rear of the frame. Make sure not to include too many elements in the frame or they may cause distraction:
Color Space: 65535

The third example excludes the candle but includes most of the body. The picture conveys gentleness, sensuality, and femininity at its best:
Color Space: 65535

In this example too, the candle is not included in the frame. The camera focused on the left side of the picture:
Color Space: 65535

One must keep in mind, when using a single candle, that just as when using one light source (not a scattered light), skin defects may be emphasized, creating shadowed hills and valleys and highlighting unwanted hair.
The next example shows the relatively high intensity of light a candle can produce. At times it can be strong and dominant:
Color Space: 65535

The sixth example walks on the brink between delicate sensuality and harshness. The balance is extremely delicate – and we should not go beyond it. The hair included in the frame lets the viewer complete the scene in his/her imagination; there is no need for further details:
Color Space: 65535

The last example, which includes the candlelight and two models, points out the intensity of integrating the elements in the picture. Our imagination adds the missing details – and the interpretation is left for the viewer:
Color Space: 65535

In summary – candlelight shooting is a special and different division of nude photography. Extreme control of the technique and tools are required, as well as lots of patience and an eye that recognizes what to shoot and where the limits are.
Although the minimal lighting conditions require long practice, I think the results are worth the effort!



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